![]() |
Artwork by Ellie Antestenis |
If a picture is truly worth a thousand words, then Elisa Barry’s Advanced Placement art students delivered tens of thousands of words of strength, compassion and love to those grieving after the tragic Florida shootings.
Art teacher Barry recently mailed art work and personal cards by Memorial AP students to one history teacher at Stoneman Douglas High School who asked online for support in the aftermath of the deadly shooting incident in suburban Broward County.

“I approached this project as a way for students to create something that would express kindness in a visual form,” Ms. Barry recalls. “I was deeply moved and touched by the images our students created and by how they reached out to comfort students thousands of miles away. I’m so proud of them and for their compassion for others.”

Friends showed her the history teacher’s post asking for letters, which she posted on her Instagram and Snapchat social media feeds. Barry saw one of them and suggested the class project.
Cowan thought hard about her own message. “I wanted to let the students know that they were not alone. I decided on a piece in the style of [artist] Keith Haring, one that resembled love spreading from so many places and from unified love and support.”
She was surprised by how big the art project became, and by the interest it generated among fellow students and from the wider community, including one KHOU TV-11 news posting.
“I did not expect this big a thing, but I’m very happy. The pieces created by people are gorgeous, and receiving art work in the mail is always special,” said Cowan, a National Merit semifinalist and Memorial co-valedictorian.
The range of student responses to the art project prompt are captivating in many ways, but emotionally perhaps above all.
Junior Ellie Antestenis created 17 flowers to reflect the 17 people killed. On her mailing card, she wrote: “Sending light to your beautiful garden! The 17 flowers will continue to grow among the angels.”
Junior Christina Ofori’s image was in an abstract style. “You can interpret it however you want to,” she said.
“I saw this project as something more than just a moment of silence. I can’t relate to what actually happened there, but I can relate to their emotions. I don’t know what they went through there, but I did want to connect to the emotions they must be feeling,” Ofori also said.